Frequently Asked Questions

Whether you’re looking for the perfect fine art print, need details on custom sizing and shipping, or want to learn more about my photography course, you’ll find the answers here.

Limited Edition & Open Edition Prints

‘Limited Edition’ means that there will only ever be a set number of prints produced. My acrylic and metal prints are limited to an edition of 40 in total, which means that my clients can order artwork in the print material and size combination of their choice, but once 40 pieces have been produced, no other acrylic or metal artwork of this photograph will ever be made, increasing their rarity and value.

‘Open Edition’ means that there can be an unlimited number of prints produced. My 8×10 and 11×14 fine art paper prints are available in an open edition, which means that any number of prints can be produced over time.

Yes. Each of my Limited Edition pieces features a signature and edition number digitally embedded in the face of the artwork. For example, a print with the number 32/40 means that there will only ever be 40 acrylic or metal prints created in total and that you have the 32nd one.

Yes. I provide a signed Certificate of Authenticity with an embossed seal and serial number, which is shipped separately from the print itself. A tamper-resistant holographic label with an identical serial number is then applied to the reverse side of your Limited Edition Acrylic or Limited Edition Metal artwork.

Only 40 of my Limited Edition Acrylic and Limited Edition Metal prints of each photograph will ever be produced. Unfortunately, this means that any sold out images will never be printed in acrylic or metal again.

If you are interested, you are welcome to order an Archival Fine Art Paper print of this image as they are open edition so continue to be available even when the limited editions are sold out. As I am always photographing new work, please join my Collectors List so you don’t miss out on any new releases.

As a nature photographer, sustainability matters to me. To reduce shipping-related emissions, I partner with a professional fine art lab here in Canada that uses archival-quality materials from trusted sources, with packaging designed to be recyclable or reusable whenever possible.

Choosing the Right Artwork

The ideal size for your space depends on the orientation of your wall, the size of your room, and the furniture within it. For a visually appealing focal point, your artwork should be about ⅔ to ¾ of the size of your wall depending on ceiling height. Of course, if you are looking to hang your art over a couch or fireplace, this will affect the size of your artwork. In general, your piece should be about ¾ of the width of your furniture and hung with about 6 to 8 inches of space between them. If you would like to discuss the optimal size for your space, contact me and I would be happy to help.

Absolutely. If you love an in-stock photo and you are interested in having it printed in a custom size, please contact me with details.

Absolutely! I accept a limited number of commissions each year and would be delighted to hear about the place that brings you joy. Please contact me to discuss.

Absolutely! Choosing the right fine art print can transform a space, and I’m happy to help you find a piece that complements your style, vision, and environment. Whether you’re looking for a statement piece, a serene focal point, or a cohesive series, I can provide guidance on selecting the right size, finish, and composition to enhance your home or workspace. Feel free to reach out, and we can explore the perfect options together.

Displaying & Hanging Your Artwork

Each of my Limited Edition Acrylic and Limited Edition Metal prints arrive ready to hang with a recessed back mount that provides a modern and sleek frameless look where the print appears to float off your wall. Optional float frames are also available at an extra cost.

My Archival Fine Art Paper prints arrive rolled and are not ready to hang.

If you prefer a more traditional presentation, my Limited Edition Acrylic and Limited Edition Metal prints are available with an optional float frame in a range of colours. A float frame gives your art the illusion of floating inside a traditional picture frame without touching it, which creates an interesting visual detail and sense of three-dimensional depth, while still offering the conventional look of a frame.

I do not provide a framing option for my open edition Archival Fine Art Paper prints. If you intend to frame your print, I recommend working with an experienced local framer. Alternatively, if you prefer to frame the piece yourself, my Archival Fine Art Paper prints are available in two standard sizes—making it easy and affordable to find a beautiful, ready-made frame to showcase your artwork.

Your Limited Edition Acrylic and Limited Edition Metal prints will be shipped ready to hang with the appropriate mounting hardware already attached to the back. You will need to countersink 2 screws with large heads into your wall, which are not included with your purchase. The screw heads should sit about ½ inch out of the wall and the recessed frame will then rest on these screws. The recessed frame will hang flush with your wall and provide a modern and sleek frameless look where your print appears to float off of it.

Depending on the surface of your wall, you may require additional hardware such as wall anchors. Of course, I always recommend that hanging be carried out by an experienced professional to protect your home and your art investment.

When not restricted by furniture, artwork should ideally be hung with its centre at eye level—typically around 145 to 150 cm (57 to 60 inches) from the floor. If you’re placing your artwork above furniture such as a sofa or bed, leave 15 to 25 cm (6 to 10 inches) of space between the bottom of the artwork and the top of the furniture.

Lighting your artwork properly involves a mixture of spotlights and spreads. It is important to consider the longevity of your artwork when planning your lighting solution as direct sunlight, UV radiation from fluorescent bulbs, and heat from incandescent and halogen bulbs placed too close to your artwork could cause fading or damage. In general, you should aim to light your artwork about 3 times brighter than the light of your room at an angle of about 30 degrees to cover the artwork in sufficient light while reducing glare. To ensure that the colours of your artwork are portrayed accurately, seek out lighting with a high CRI value (Color Rendering Index) such as MR16 halogen bulbs that have a CRI of 95-100. It is best to seek the advice of an electrician or lighting professional to ensure the proper balance of light and presentation of your art.

Caring for Your Artwork

Your Limited Edition Acrylic print has a smooth, glassy surface that will look flawless for years to come if you avoid contact with its surface. Your print should only need the occasional dusting with compressed air or a soft sable brush. Although it’s best to avoid liquids, should you need to remove any dirt or streaks, use a very small amount of watered-down mild dish soap or a mild acrylic cleaner (such as Novus #1) and wipe gently with a clean, soft cloth. Follow up with a clean, damp cloth and dry by blotting with a soft, dry cloth. Never use paper towels or any products that contain ammonia or alcohol (such as Windex) as they will damage the acrylic. Although measures have been taken to provide UV protection, it is always best to avoid displaying your artwork in direct sunlight, high humidity (over 60%), or high temperatures (over 25°C).

Your Limited Edition Metal print is made of ChromaLuxe HD aluminum, which has an ultra-hard scratch-resistant surface that is largely waterproof and weatherproof.  Your print should only need the occasional dusting with a microfibre cloth or chamois. It is best to avoid contact with the surface of your print as fingerprints and smudges will appear if touched. To remove any dirt or streaks, use a watered-down glass cleaner (such as Windex) and wipe gently with a clean, soft cloth. Your metal print is extremely durable with the longest fade resistance in the market, but it is always best to avoid displaying your artwork in direct sunlight.

The best way to keep your Archival Fine Art Paper print in good condition is to frame it. I recommend using an experienced local framing professional and I would be happy to work with you and your framer to facilitate this process.

Shipping & Returns

Within Canada and the continental United States, shipping is primarily done with UPS though other carriers could be used depending on the size of your order and its destination.

Yes. International shipments are accepted and will be quoted on a case-by-case basis.

For clients in Canada (excluding the Yukon, NWT and Nunavut) and the continental United States (excluding Alaska), shipping is free on orders over $150 and a flat rate of $19.95 for orders under $150.  For excluded or other international locations, please contact me for an estimate.

Please note that clients outside of Canada are responsible for paying any and all international fees, duties, customs and taxes, and I encourage you to contact your local postal service or customs bureau for more information.

Orders are usually ready to ship within 2 to 3 weeks for Limited Edition Acrylic and Limited Edition Metal prints, and within 1 week for Archival Fine Art Paper prints, plus 2 to 5 days for shipping within Canada. Expedited production and shipping may be available for time-sensitive orders.

Every order is carefully packaged and fully insured to ensure it arrives safely. If your artwork is damaged in transit, please contact me right away and take photographs of both the packaging and the damage to the artwork. Be sure to keep all materials, as the shipper may require an inspection. Once the claim is approved, a replacement will be sent to you at no cost to you.

All of my prints are backed by a one-year quality guarantee. If you’re unhappy with the production quality for any reason, such as warping, scratches, fading, or material defects, I’ll replace or repair the piece at no cost to you.

No. All of my prints are made to order so I am unable to offer returns or exchanges.

Yes, I offer samples of my print materials so you can see the quality firsthand. If you’re in Metro Vancouver, I’m happy to arrange a viewing of sample prints in person. The images on my website serve as digital proofs, and upon request, I can create a custom mockup to help you visualize how a piece would look in your space. Additionally, select works are on display at Catching Stars Gallery on Bowen Island if you’d like to experience them in person.

Yes! Gift certificates are available and make a meaningful gift for art lovers, nature enthusiasts, or aspiring photographers. Whether for a fine art print or my photography course, a gift certificate allows the recipient to choose something truly special. If you’d like to purchase one, please contact me for details.

Commercial Services for Businesses, Interior Designers & Architects

While I don’t offer standardized trade pricing, I welcome inquiries for large-scale or custom projects and am happy to tailor pricing based on your needs.

Yes! I offer personalized art selection services for businesses, interior designers, and architects looking to enhance their spaces with fine art photography. Whether you need a statement piece or a cohesive series, I can provide tailored recommendations to complement your design vision.

Yes, licensing options are available for select images to be used in corporate branding, hospitality, or editorial projects. If you are interested in licensing artwork for a commercial project, please contact me to discuss your specific needs.

I offer a selection of carefully chosen print sizes and finishes designed to showcase my work at its best. However, I understand that some projects require unique specifications, and I’m happy to discuss custom sizes and finishes to accommodate your space. If you have a specific request, please reach out, and I’ll do my best to provide a tailored solution.

6 Week Landscape Photographer Course

Unlike generic photography courses, 6 Week Landscape Photographer: From Snapshot to Stunning offers a structured, step-by-step learning experience that takes you from struggling with camera settings to confidently capturing stunning, print-ready images. The course is designed specifically for outdoor and landscape photography, combining hands-on exercises, expert guidance, and a supportive community. There are no hidden upsells—everything you need is included, plus live Q&A sessions to ensure you get the support you need along the way.

This course is designed for beginner-to-intermediate photographers who love the outdoors and want to take their landscape photography to the next level. Whether you’re frustrated with inconsistent results, overwhelmed by camera settings, or struggling to capture the beauty of the landscapes you explore, this course provides a structured, step-by-step approach to help you improve. It’s ideal for adventure seekers, hikers, and travel enthusiasts who want to create professional-quality images they’ll be proud to print, share, and showcase.

The course is designed to fit into a busy schedule, requiring approximately 2–4 hours per week. Lessons are structured into bite-sized, actionable steps so you can learn at your own pace without feeling overwhelmed. You’ll watch short instructional videos, complete hands-on exercises, and apply what you learn during self-directed photography outings. Since you have lifetime access to the course, you can revisit lessons anytime and progress at a speed that works for you.

You’ll have access to a private course community where you can share your progress, ask questions, and receive feedback. Monthly live Q&A sessions provide an opportunity to get real-time guidance and answers to your photography challenges. If you’re looking for personalized critique, an optional portfolio review is available as an add-on.

While not required for all lessons, Adobe Lightroom is strongly recommended to help you enhance and refine your images. The course includes step-by-step editing tutorials using Lightroom, but you can apply many of the techniques to other software like Capture One, ON1 Photo RAW, or free alternatives such as Snapseed or Darktable.

Life gets busy, and that’s okay—this course is designed to meet you where you are. With lifetime access to all lessons, you can pause, revisit, or restart anytime without pressure.

A DSLR or mirrorless camera with manual controls is recommended to get the most out of this course. A sturdy tripod is also essential for long-exposure and low-light photography. While additional accessories—such as wide-angle lenses, neutral density filters, and polarizers—can significantly expand your creative possibilities, the course is designed to help you understand what gear is essential for different types of shots and how to maximize the equipment you already have. If you’re unsure about your current setup, an early lesson in the course will guide you through selecting the right tools for the results you want to achieve.

While not required, some accessories can enhance your landscape photography results. A wide-angle lens is great for capturing expansive scenery, while a telephoto lens allows you to compress distant elements for dramatic effect. A sturdy tripod is essential for long exposures, and neutral density or polarizing filters can help control light and reflections. The course covers how to use these tools effectively, but you can start with just a camera and tripod.

Throughout the course, you’ll have opportunities to receive feedback by sharing your work in the private course community. Monthly live Q&A sessions also provide a space for discussing challenges and getting expert insights. If you’re looking for a more in-depth review, an optional portfolio critique is available as an add-on.

The course includes group support through the private community and live Q&A sessions, but one-on-one coaching is not included in the base course. However, if you’d like personalized feedback, you can add a portfolio review or book a private coaching session for an in-depth critique of your work.

Still Have Questions?

If you didn’t find the answer you were looking for, I’d be happy to help! Feel free to reach out, and I’ll get back to you as soon as possible.

Still Have Questions?

If you didn’t find the answer you were looking for, I’d be happy to help! Feel free to reach out, and I’ll get back to you as soon as possible.

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